Clown: Bello
His dazzling stunts, goofy gags and big-top hairdo have
made the circus a great show again
By Bill Irwin
(TIME) -- I like to call him Bello Nock—his
clown name and his family name. Although he doesn't act like
it, Bello, whose given name is Demetrius, is aristocracy.
Members of the Nock family (their performance roots date back
to the 18th century in Switzerland) have been circus artists
and great clowns for generations. I saw Bello's uncle Pio Nock
in the Ringling show when I was 22, and I applied immediately
to the Ringling Bros. Clown College. Bello's thoroughly
American accent—he speaks many languages, but all of them like
a guy from Florida, which he is—doesn't mask his European take
on the art of circus. That's not a better point of view than
the American, but it is different.
Trained from childhood, Bello, 32, has a
grounding in almost every circus skill. This is one of the
things that separate him from those of us who found our way to
clowning from the theater. He is an incredible acrobat (and
one of the strongest men I've ever known), and so when he does
a bit about setting up a trampoline, of course he gets in
trouble and finds some great gags. He's caught in the springs,
first his foot, then his whole body, but he finishes with
world-class trampoline work—going breathtakingly high,
swooping into a suicide dive, tucking at the last second, then
getting caught in the springs again.
| Bello
Essentials |
Born:
September 27, 1968, Sarasota,
Florida
Mentor: His father, a circus
daredevil. "He would tell me everyone gets a
paycheck, we get a double paycheck by the applause
for what we do" Career Highlight:
Joining the "Greatest Show on
Earth"
Work Habits: "I practice
eight hours a day. I am constantly keeping up with
things that interest me"
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Bello and I once put together a two-minute
number for a TV show. Bello when he's not performing is a lot
like Bello when he is—wide-eyed, charged with energy. We never
actually did the gig—the schedule didn't work out or
something—but I'll pay him these compliments, from one clown
to another: first, I had a great time—Bello is one of the
sunniest and most generous men I've ever known. Essentially I
was just there that day as a comic feed, and elder statesman,
to feature some of his trampoline business, but I didn't want
to be blown completely out of the water. As with any great
practitioner, he had me on my toes and trying to get on my
best game. It was a wonderful afternoon.
So is Bello Nock a "clown's clown"? That's a
hard one, because—this little essay notwithstanding —clowns
tend not really to talk about one another too much. But if you
get past the unanswerable questions like, Who's the best? or
Who's the funniest? or Whose gig would you most like to have?
and you just ask, Whom do you like to go see? then it gets
easier. There are only a few clowns I love to see again and
again, and Bello Nock is one of them. He's really, really
good, and he has a really good time; his work fits the circus
ring, and he loves the crowd. And his high-layout somersault
with his pants falling off just really gets me, it always has.
Bill Irwin is an actor, choreographer,
director, performance artist, playwright and clown. He won a
MacArthur "genius award" in 1984
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